Sunday, December 30, 2007

Monday, December 17, 2007

Truth Stranger Than Fiction

From the "you can't make this up file". Check out the video below. This is the real deal, not some hoax. Comments?

Sunday, December 16, 2007

12 Days of Christmas Sung A Little Differently

Enjoy this pretty cool rendition of The 12 Days of Christmas. It's worth watching it right through to see how they incorporate other songs into it, especially one of my favourite 80's songs.

Sunday, December 09, 2007

Why Pascal's Wager Fails

A great cartoon depicting why Pascal's Wager is ludicrous and ultimately fails.



Thursday, December 06, 2007

Merry Beerstmas!


This one's for all you beer lovers. If you're looking for a new tree this year, consider building one of these. I'm pretty sure you could substitute Moosehead bottles Rube!!

Sunday, December 02, 2007

The Real Bert & Ernie

All those years of pent up hostility finally unleashed!

Tuesday, November 20, 2007

Great Quotes About Sex

This is an internet classic, but I thought I'd post it here, 'cause their so damn funny!

"I believe that sex is one of the most beautiful, natural, wholesome things that money can buy."
--Tom Clancy


"You know "that look" women get when they want sex? Me neither."
--Steve Martin


"Having sex is like playing bridge. If you don't have a good partner, you'd better have a good hand."
--Woody Allen


"Bisexuality immediately doubles your chances for a date on Saturday night."
--Rodney Dangerfield


"There are a number of mechanical devices which increase sexual arousal, particularly in women. Chief among these is the Mercedes-Benz 380SL."
--Lynn Lavner


"Leaving sex to the feminists is like letting your dog vacation at the taxidermist."
--Matt Barry


"Sex at age 90 is like trying to shoot pool with a rope."
--George Burns


"Sex is one of the nine reasons for reincarnation. The other eight are unimportant."
--George Burns


"Women might be able to fake orgasms. But men can fake whole relationships."
--Sharon Stone


"My girlfriend always laughs during sex ---no matter what she's reading."
--Steve Jobs (Founder, Apple Computers)


"My mother never saw the irony in calling me a son-of-a-bitch."
--Jack Nicholson


"Clinton lied. A man might forget where he parks or where he lives, but he never forgets oral sex, no matter how bad it is."
--Barbara Bush (Former US First Lady -- and you didn't think Barbara had a sense of humor)


"Ah, yes, divorce, from the Latin word meaning to rip out a man's genitals through his wallet."
--Robin Williams


"Women complain about premenstrual syndrome, but I think of it as the only time of the month that I can be myself."
--Roseanne


"Women need a reason to have sex. Men just need a place."
--Billy Crystal


"According to a new survey, women say they feel more comfortable undressing in front of men than they do undressing in front of other women. They say that women are too judgmental, where, of course, men are just grateful."
--Robert De Niro


"There's a new medical crisis. Doctors are reporting that many men are having allergic reactions to latex condoms. They say they cause severe swelling. So what's the problem?"
--Dustin Hoffman


"There's very little advice in men's magazines, because men think, I know what I'm doing. Just show me somebody naked."
--Jerry Seinfeld


"Instead of getting married again, I'm going to find a woman I don't like and just give her a house."
--Rod Stewart


"See, the problem is that God gives men a brain and a penis, and only enough blood to run one at a time."
--Robin Williams

Tuesday, November 13, 2007

You Don't Realise How Privileged You Are

Here's a link to The Hour With George Stromboulopoulos' segment called Disinformation. The goal of this segment is to clear up common held assumptions about the world we live in currently. Now the reason for this post. Even I was shocked by this;70% of the world's population, have never even heard a dial tone. Think about that for a second. Never mind TV, cell phones, the net. 70% of the world have not even dealt with, what we would consider, the the most basic modern technology. Watch the piece and learn more about the possible impact this has.

Sunday, November 11, 2007

A Man After My Own Heart

Once again, why Dave Chappelle is a comedy genius.

Saturday, November 03, 2007

The Godfather Part 1 In Less Than 2 Minutes!

It helps if you've seen the original in it's 3 hour entirety. But you got to admit, it boils it right down the bare plot essentials and is quite funny in how they do it. Enjoy!

Wednesday, October 31, 2007

And They Think Everyone Else Is Nuts!!

Here's the original article I'm quoting this text from.

Let's take a quick look at the basic biblical narrative:

There is an indescribably powerful and intelligent being called God who is in existence prior to the dawn of time. For whatever reason, he decides to create the universe and pays particular attention to planet Earth. Having created the universe, Earth and all the species on it (through 'creating' the Big Bang and 'guiding' evolution in the Williams style of interpretation), he decides to focus all his attention on a collection of tribal groupings in the Middle East, in particular the Israelites who are his 'chosen people' and who he obsesses over, while apparently ignoring the rest of the world's population. He lays down numerous often primitive and arbitrary moral and ceremonial laws, then gets involved in inner tribal politics and land disputes, inciting acts of brutality, war crimes, genocide, and rape along the way. Fast forward to the Middle East under Roman occupation and God decides it's time to put in an appearance. By mystical means he comes to earth in human form, being born of a virgin. He becomes incarnate as a Jewish male and wanders around what is today Israel-Palestine, imparting pithy social commentary (but never giving any systematic explanation of how such ideas might be made politically useful), engaging in faith healing (removing 'demons' from people), magic tricks (such as walking on water and raising a dead man), and ranting on and on about sin, eternal punishment for the majority of the world's population, and the impending end of the world. He gets himself crucified, in order that he can sacrifice himself to himself for our good. A few days later he walks out of his tomb and wanders round with some of his followers (noticeably not bothering to make himself known to anyone but those who already believed in him), before 'ascending' into 'Heaven', to wait for the time when he will return to raise every human who has ever lived in bodily form for judgement, then cast most of us into a pit of fire and take a select few into his 'kingdom' for eternity where they will live happily ever after.

Kind of sounds weird and cult like when you actually break it down to the basic underpinnings, which you can't argue are the basis of the Christian faith. No matter how you dress it up, it's no different then any other "whack job" religion or beleif system.

Sunday, October 28, 2007

How The Music Industry Is Killing Itself

This is a bit of long diatribe, but well worth the read if you are interested in music and downloading music. Here's the original post on Demonbaby

When Pigs Fly: The Death of Oink, the Birth of Dissent, and a Brief History of Record Industry Suicide.


[Currently Listening To: Music I Didn't Pay For]

For quite a long time I've been intending to post some sort of commentary on the music industry - piracy, distribution, morality, those types of things. I've thought about it many times, but never gone through with it, because the issue is such a broad, messy one - such a difficult thing to address fairly and compactly. I knew it would result in a rambly, unfocused commentary, and my exact opinion has teetered back and forth quite a bit over the years anyway. But on Monday, when I woke up to the news that Oink, the world famous torrent site and mecca for music-lovers everywhere, had been shut down by international police and various anti-piracy groups, I knew it was finally time to try and organize my thoughts on this huge, sticky, important issue.

For the past eight years, I've worked on and off with major record labels as a designer ("Major" is an important distinction here, because major labels are an entirely different beast than many indie labels - they're the ones with the power, and they are the ones driving the industry-wide push against piracy). It was 1999 when I got my first taste of the inner-workings of a major record label - I was a young college student, and the inside of a New York label office seemed so vast and exciting. Dozens of worker bees hummed away at their desks on phones and computers. Music posters and stacks of CDs littered every surface. Everyone seemed to have an assistant, and the assistants had assistants, and you couldn't help but wonder "what the hell do all these people do?" I tagged along on $1500 artist dinners paid for by the labels. Massive bar tabs were regularly signed away by record label employees with company cards. You got used to people billing as many expenses back to the record company as they could. I met the type of jive, middle-aged, blazer-wearing, coke-snorting, cartoon character label bigwigs who you'd think were too cliche to exist outside the confines of Spinal Tap. It was all strange and exciting, but one thing that always resonated with me was the sheer volume of money that seemed to be spent without any great deal of concern. Whether it was excessive production budgets or "business lunches" that had nothing to do with business, one of my first reactions to it all was, "so this is why CDs cost $18..." An industry of excess. But that's kind of what you expected from the music business, right? It's where rock stars are made. It's where you get stretch limos with hot tubs in the back, where you get private jets and cocaine parties. Growing up in the '80's, with pop royalty and hair metal bands, you were kind of led to think, of course record labels blow money left and right - there's just so much of it to go around! Well, you know what they say: The bigger they are...

In those days, "piracy" was barely even a word in the music world. My friends and I traded MP3s in college over the local network, but they were scattered and low-quality. It felt like a novelty - like a digital version of duping a cassette tape - hardly a replacement for CDs. CDs sounded good and you could bring them with you in your DiscMan, and the only digital music you could get was as good as your friends' CD collections, anyway. It never occurred to any of us that digital files were the future. But as it turned out, lots of kids, in lots of colleges around the world, had the same idea of sharing MP3 files over their local networks, and eventually, someone paid attention to that idea and made Napster. Suddenly, it was like all those college networks were tied together, and you could find all this cool stuff online. It was easier and more efficient than record stores, it was powered by music fans, and, well, it was free. Suddenly you didn't have to pay 15 to 18 bucks for an album and hope it was good, you could download some tracks off the internet and check it out first. But you still always bought the CD if you liked it - I mean, who wants all their music to be on the computer? I sure didn't. But increasingly, more and more people did. For college kids, Napster was a Godsend, because you can all but guarantee two things about most college kids: They love music, and they're dirt poor. So it grew, and it grew, and it started to grow into the mainstream, and that's when the labels woke up and realized something important was happening. At that point they could have seen it as either a threat or an opportunity, and they, without hesitation, determined it to be a threat. It was a threat because essentially someone had come up with a better, free distribution method for the labels' product. To be fair, you can imagine how confusing this must have been for them - is there even a historical precedent for an industry's products suddenly being able to replicate and distribute on their own, without cost?

For quite a while - long after most tech-savvy music lovers - I resisted the idea of stealing music. Of course I would download MP3s - I downloaded a lot of stuff - but I would always make sure to buy the physical CD if it was something I liked. I knew a lot of musicians, a lot of them bewildered at what was happening to the industry they used to understand. People were downloading their music en masse, gorging on this new frontier like pigs at a troff - and worst of all, they felt entitled to do so. It was like it was okay simply because the technology existed that made it possible. But it wasn't okay - I mean, let's face it, no matter how you rationalized it, it was stealing, and because the technology existed to hotwire a car didn't make that okay, either. The artists lost control of distribution: They couldn't present albums the way they wanted to, in a package with nice artwork. They couldn't reveal it the way they wanted to, because music pirates got the albums online well before the actual release date. Control had been taken away from everyone who used to have it. It was a scary time in unfamiliar territory, where suddenly music fans became enemies to the artists and companies they had supported for years. It led to laughable hyperbole from bands like Metallica, instantly the poster-children of cry-baby rich rock stars, and the beginning of the image problem the industry has faced in its handling of the piracy issue. But still, at the time, I understood where they were coming from. Most musicians weren't rich like Metallica, and needed all the album sales they could get for both income and label support. Plus, it was their art, and they had created it - why shouldn't they be able to control how it's distributed, just because some snotty, acne-faced internet kids had found a way to cheat the system? And these entitled little internet brats, don't they realize that albums cost money to create, and to produce, and to promote? How is there going to be any new music if no one's paying for it?

On top of that, I couldn't get into the idea of an invisible music library that lives on my computer. Where's the artwork? Where's my collection? I want the booklet, the packaging... I want shelves and shelves of albums that I've spent years collecting, that I can pore over and impress my friends with... I want to flip through the pages, and hold the CD in my hand... Being a kid who got into music well past the days of vinyl, CDs were all I had, and they still felt important to me.

It's all changed.

In a few short years, the aggressive push of technology combined with the arrogant response from the record industry has rapidly worn away all of my noble intentions of clinging to the old system, and has now pushed me into full-on dissent. I find myself fully immersed in digital music, almost never buying CDs, and fully against the methods of the major record labels and the RIAA. And I think it would do the music industry a lot of good to pay attention to why - because I'm just one of millions, and there will be millions more in the years to come. And it could have happened very, very differently.

As the years have passed, and technology has made digital files the most convenient, efficient, and attractive method of listening to music for many people, the rules and cultural perceptions regarding music have changed drastically. We live in the iPod generation - where a "collection" of clunky CDs feels archaic - where the uniqueness of your music collection is limited only by how eclectic your taste is. Where it's embraced and expected that if you like an album, you send it to your friend to listen to. Whether this guy likes it or not, iPods have become synonymous with music - and if I filled my shiny new 160gb iPod up legally, buying each track online at the 99 cents price that the industry has determined, it would cost me about $32,226. How does that make sense? It's the ugly truth the record industry wants to ignore as they struggle to find ways to get people to pay for music in a culture that has already embraced the idea of music being something you collect in large volumes, and trade freely with your friends.

Already is the key word, because it didn't have to be this way, and that's become the main source of my utter lack of sympathy for the dying record industry: They had a chance to move forward, to evolve with technology and address the changing needs of consumers - and they didn't. Instead, they panicked - they showed their hand as power-hungry dinosaurs, and they started to demonize their own customers, the people whose love of music had given them massive profits for decades. They used their unfair record contracts - the ones that allowed them to own all the music - and went after children, grandparents, single moms, even deceased great grandmothers - alongside many other common people who did nothing more than download some songs and leave them in a shared folder - something that has become the cultural norm to the iPod generation. Joining together in what has been referred to as an illegal cartel and using the RIAA as their attack dogs, the record labels have spent billions of dollars attempting to scare people away from downloading music. And it's simply not working. The pirating community continues to out-smart and out-innovate the dated methods of the record companies, and CD sales continue to plummet while exchange of digital music on the internet continues to skyrocket. Why? Because freely-available music in large quantities is the new cultural norm, and the industry has given consumers no fair alternative. They didn't jump in when the new technologies were emerging and think, "how can we capitalize on this to ensure that we're able to stay afloat while providing the customer what they've come to expect?" They didn't band together and create a flat monthly fee for downloading all the music you want. They didn't respond by drastically lowering the prices of CDs (which have been ludicrously overpriced since day one, and actually increased in price during the '90's), or by offering low-cost DRM-free legal MP3 purchases. Their entry into the digital marketplace was too little too late - a precedent of free, high-quality, DRM-free music had already been set.

There seem to be a lot of reasons why the record companies blew it. One is that they're really not very smart. They know how to do one thing, which is sell records in a traditional retail environment. From personal experience I can tell you that the big labels are beyond clueless in the digital world - their ideas are out-dated, their methods make no sense, and every decision is hampered by miles and miles of legal tape, copyright restrictions, and corporate interests. Trying to innovate with a major label is like trying to teach your Grandmother how to play Halo 3: frustrating and ultimately futile. The easiest example of this is how much of a fight it's been to get record companies to sell MP3s DRM-free. You're trying to explain a new technology to an old guy who made his fortune in the hair metal days. You're trying to tell him that when someone buys a CD, it has no DRM - people can encode it into their computer as DRM-free MP3s within seconds, and send it to all their friends. So why insult the consumer by making them pay the same price for copy-protected MP3s? It doesn't make any sense! It just frustrates people and drives them to piracy! They don't get it: "It's an MP3, you have to protect it or they'll copy it." But they can do the same thing with the CDs you already sell!! Legal tape and lots of corporate bullshit. If these people weren't the ones who owned the music, it'd all be over already, and we'd be enjoying the real future of music. Because like with any new industry, it's not the people from the previous generation who are going to step in and be the innovators. It's a new batch.

Newspapers are a good example: It used to be that people read newspapers to get the news. That was the distribution method, and newspaper companies controlled it. You paid for a newspaper, and you got your news, that's how it worked. Until the internet came along, and a new generation of innovative people created websites, and suddenly anyone could distribute information, and they could distribute it faster, better, more efficiently, and for free. Obviously this hurt the newspaper industry, but there was nothing they could do about it, because they didn't own the information itself - only the distribution method. Their only choice was to innovate and find ways to compete in a new marketplace. And you know what? Now I can get live, up-to-the-minute news for free, on thousands of different sources across the internet - and The New York Times still exists. Free market capitalism at its finest. It's not a perfect example, but it is a part of how the internet is changing every form of traditional media. It happened with newspapers, it's happening now with music, and TV and cell phones are next on the chopping block. In all cases technology demands that change will happen, it's just a matter of who will find ways to take advantage of it, and who won't.

Unlike newspapers, record companies own the distribution and the product being distributed, so you can't just start your own website where you give out music that they own - and that's what this is all about: distribution. Lots of pro-piracy types argue that music can be free because people will always love music, and they'll pay for concert tickets, and merchandise, and the marketplace will shift and artists will survive. Well, yes, that might be an option for some artists, but that does nothing to help the record labels, because they don't make any money off of merchandise, or concert tickets. Distribution and ownership are what they control, and those are the two things piracy threatens. The few major labels left are parts of giant media conglomerations - owned by huge parent companies for whom artists and albums are just numbers on a piece of paper. It's why record companies shove disposable pop crap down your throat instead of nurturing career artists: because they have CEOs and shareholders to answer to, and those people don't give a shit if a really great band has the potential to get really successful, if given the right support over the next decade. They see that Gwen Stefani's latest musical turd sold millions, because parents of twelve year old girls still buy music for their kids, and the parent company demands more easy-money pop garbage that will be forgotten about next month. The only thing that matters to these corporations is profit - period. Music isn't thought of as an art form, as it was in the earlier days of the industry where labels were started by music-lovers - it's a product, pure and simple. And many of these corporations also own the manufacturing plants that create the CDs, so they make money on all sides - and lose money even from legal MP3s.

At the top of all this is the rigged, outdated, and unfair structure of current intellectual property laws, all of them in need of massive reform in the wake of the digital era. These laws allow the labels to maintain their stranglehold on music copyrights, and they allow the RIAA to sue the pants off of any file-sharing grandmother they please. Since the labels are owned by giant corporations with a great deal of money, power, and political influence, the RIAA is able to lobby politicians and government agencies to manipulate copyright laws for their benefit. The result is absurdly disproportionate fines, and laws that in some cases make file sharing a heftier charge than armed robbery. This is yet another case of private, corporate interests using political influence to turn laws in the opposite direction of the changing values of the people. Or, as this very smart assessment from a record executive described it: "a clear case of a multinational conglomerate using its political muscle to the disadvantage of everyone but itself." But shady political maneuvers and scare tactics are all the RIAA and other anti-piracy groups have left, because people who download music illegally now number in the hundreds of millions, and they can't sue everyone. At this point they're just trying to hold up what's left of the dam before it bursts open. Their latest victim is Oink, a popular torrent site specializing in music.

If you're not familiar with Oink, here's a quick summary: Oink was was a free members-only site - to join it you had to be invited by a member. Members had access to an unprecedented community-driven database of music. Every album you could ever imagine was just one click away. Oink's extremely strict quality standards ensured that everything on the site was at pristine quality - 192kbps MP3 was their bare minimum, and they championed much higher quality MP3s as well as FLAC lossless downloads. They encouraged logs to verify that the music had been ripped from the CD without any errors. Transcodes - files encoded from other encoded files, resulting in lower quality - were strictly forbidden. You were always guaranteed higher quality music than iTunes or any other legal MP3 store. Oink's strict download/share ratio ensured that every album in their vast database was always well-seeded, resulting in downloads faster than anywhere else on the internet. A 100mb album would download in mere seconds on even an average broadband connection. Oink was known for getting pre-release albums before anyone else on the internet, often months before they hit retail - but they also had an extensive catalogue of music dating back decades, fueled by music lovers who took pride in uploading rare gems from their collection that other users were seeking out. If there was an album you couldn't find on Oink, you only had to post a request for it, and wait for someone who had it to fill your request. Even if the request was extremely rare, Oink's vast network of hundreds of thousands of music-lovers eager to contribute to the site usually ensured you wouldn't have to wait long.

In this sense, Oink was not only an absolute paradise for music fans, but it was unquestionably the most complete and most efficient music distribution model the world has ever known. I say that safely without exaggeration. It was like the world's largest music store, whose vastly superior selection and distribution was entirely stocked, supplied, organized, and expanded upon by its own consumers. If the music industry had found a way to capitalize on the power, devotion, and innovation of its own fans the way Oink did, it would be thriving right now instead of withering. If intellectual property laws didn't make Oink illegal, the site's creator would be the new Steve Jobs right now. He would have revolutionized music distribution. Instead, he's a criminal, simply for finding the best way to fill rising consumer demand. I would have gladly paid a large monthly fee for a legal service as good as Oink - but none existed, because the music industry could never set aside their own greed and corporate bullshit to make it happen.

Here's an interesting aside: The RIAA loves to complain about music pirates leaking albums onto the internet before they're released in stores - painting the leakers as vicious pirates dead set on attacking their enemy, the music industry. But you know where music leaks from? From the fucking source, of course - the labels! At this point, most bands know that once their finished album is sent off to the label, the risk of it turning up online begins, because the labels are full of low-level workers who happen to be music fans who can't wait to share the band's new album with their friends. If the album manages to not leak directly from the label, it is guaranteed to leak once it heads off to manufacturing. Someone at the manufacturing plant is always happy to sneak off with a copy, and before long, it turns up online. Why? Because people love music, and they can't wait to hear their favorite band's new album! It's not about profit, and it's not about maliciousness. So record industry, maybe if you could protect your own assets a little better, shit wouldn't leak - don't blame the fans who flock to the leaked material online, blame the people who leak it out of your manufacturing plants in the first place! But assuming that's a hole too difficult to plug, it begs the question, "why don't labels adapt to the changing nature of distribution by selling new albums online as soon as they're finished, before they have a chance to leak, and release the physical CDs a couple months later?" Well, for one, labels are still obsessed with Billboard chart numbers - they're obsessed with determining the market value of their product by how well it fares in its opening week. Selling it online before the big retail debut, before they've had months to properly market the product to ensure success, would mess up those numbers (nevermind that those numbers mean absolutely nothing anymore). Additionally, selling an album online before it hits stores makes retail outlets (who are also suffering in all this) angry, and retail outlets have far more power than they should. For example, if a record company releases an album online but Wal-Mart won't have the CD in their stores for another two months (because it needs to be manufactured), Wal-Mart gets mad. Who cares if Wal-Mart gets mad, you ask? Well, record companies do, because Wal-Mart is, both mysteriously and tragically, the largest music retailer in the world. That means they have power, and they can say "if you sell Britney Spears' album online before we can sell it in our stores, we lose money. So if you do that, we're not going to stock her album at all, and then you'll lose a LOT of money." That kind of greedy business bullshit happens all the time in the record industry, and the consistent result is a worse experience for consumers and music lovers.

Which is why Oink was so great - take away all the rules and legal ties, all the ownership and profit margins, and naturally, the result is something purely for, by, and in service of the music fan. And it actually helps musicians - file-sharing is "the greatest marketing tool ever to come along for the music industry." One of Oink's best features was how it allowed users to connect similar artists, and to see what people who liked a certain band also liked. Similar to Amazon's recommendation system, it was possible to spend hours discovering new bands on Oink, and that's what many of its users did. Through sites like Oink, the amount and variety of music I listen to has skyrocketed, opening me up to hundreds of artists I never would have experienced otherwise. I'm now fans of their music, and I may not have bought their CDs, but I would have never bought their CD anyway, because I would have never heard of them! And now that I have heard of them, I go to their concerts, and I talk them up to my friends, and give my friends the music to listen to for themselves, so they can go to the concerts, and tell their friends, and so on. Oink was a network of music lovers sharing and discovering music. And yes, it was all technically illegal, and destined to get shut down, I suppose. But it's not so much that they shut Oink down that boils my blood, it's the fucking bullshit propaganda they put out there. If the industry tried to have some kind of compassion - if they said, "we understand that these are just music fans trying to listen to as much music as they can, but we have to protect our assets, and we're working on an industry-wide solution to accommodate the changing needs of music fans"... Well, it's too late for that, but it would be encouraging. Instead, they make it sound like they busted a Columbian drug cartel or something. They describe it as a highly-organized piracy ring. Like Oink users were distributing kiddie porn or some shit. The press release says: "This was not a case of friends sharing music for pleasure." Wh - what?? That's EXACTLY what it was! No one made any money on that site - there were no ads, no registration fees. The only currency was ratio - the amount you shared with other users - a brilliant way of turning "free" into a sort of booming mini-economy. The anti-piracy groups have tried to spin the notion that you had to pay a fee to join Oink, which is NOT true - donations were voluntary, and went to support the hosting and maintenance of the site. If the donations spilled into profit for the guy who ran the site, well he damn well deserved it - he created something truly remarkable.

So the next question is, what now?

For the major labels, it's over. It's fucking over. You're going to burn to the fucking ground, and we're all going to dance around the fire. And it's your own fault. Surely, somewhere deep inside, you had to know this day was coming, right? Your very industry is founded on an unfair business model of owning art you didn't create in exchange for the services you provide. It's rigged so that you win every time - even if the artist does well, you do ten times better. It was able to exist because you controlled the distribution, but now that's back in the hands of the people, and you let the ball drop when you could have evolved.

None of this is to say that there's no way for artists to make money anymore, or even that it's the end of record labels. It's just the end of record labels as we know them. A lot of people point to the Radiohead model as the future, but Radiohead is only dipping its toe into the future to test the waters. What at first seemed like a rainbow-colored revolution has now been openly revealed as a marketing gimmick: Radiohead was "experimenting," releasing a low-quality MP3 version of an album only to punish the fans who paid for it by later releasing a full-quality CD version with extra tracks. According to Radiohead's manager: "If we didn't believe that when people hear the music they will want to buy the CD then we wouldn't do what we are doing." Ouch. Radiohead was moving in the right direction, but if they really want to start a revolution, they need to place the "pay-what-you-want" digital album on the same content and quality level as the "pay-what-we-want" physical album.

Ultimately, I don't know what the future model is going to be - I think all the current pieces of the puzzle will still be there, but they need to be re-ordered, and the rules need to be changed. Maybe record labels of the future exist to help front recording costs and promote artists, but they don't own the music. Maybe music is free, and musicians make their money from touring and merchandise, and if they need a label, the label takes a percentage of their tour and merch profits. Maybe all-digital record companies give bands all the tools they need to sell their music directly to their fans, taking a small percentage for their services. In any case, the artists own their own music.

I used to reject the wishy-washy "music should be free!" mantra of online music thieves. I knew too much about the intricacies and economics of it, of the rock-and-a-hard-place situation many artists were in with their labels. I thought there were plenty of new ways to sell music that would be fair to all parties involved. But I no longer believe that, because the squabbling, backwards, greedy, ownership-obsessed major labels will never let it happen, and that's more clear to me now than ever. So maybe music has to be free. Maybe taking the money out of music is the only way to get money back into it. Maybe it's time to abandon the notion of the rock star - of music as a route to fame and fortune. The best music was always made by people who weren't in it for the money, anyway. Maybe smart, talented musicians will find ways to make a good living with or without CD sales. Maybe the record industry execs who made their fortunes off of unfair contracts and distribution monopolies should just walk away, confident that they milked a limited opportunity for all it was worth, and that it's time to find fortune somewhere else. Maybe in the hands of consumers, the music marketplace will expand in new and lucrative ways no one can even dream of yet. We won't know until music is free, and eventually it's going to be. Technological innovation destroys old industries, but it creates new ones. You can't fight it forever.

Until the walls finally come down, we're in what will inevitably be looked back on as a very awkward, chaotic period in music history - fans are being arrested for sharing the music they love, and many artists are left helpless, unable to experiment with new business models because they're locked into record contracts with backwards-thinking labels.

So what can you and I do to help usher in the brave new world? The beauty of Oink was how fans willingly and hyper-efficiently took on distribution roles that traditionally have cost labels millions of dollars. Music lovers have shown that they're much more willing to put time and effort into music than they are money. It's time to show artists that there's no limit to what an energized online fanbase can accomplish, and all they'll ever ask for in return is more music. And it's time to show the labels that they missed a huge opportunity by not embracing these opportunities when they had the chance.

1. Stop buying music from major labels. Period. The only way to force change is to hit the labels where it hurts - their profits. The major labels are like Terry Schiavo right now - they're on life support, drooling in a coma, while white-haired guys in suits try and change the laws to keep them alive. But any rational person can see that it's too late, and it's time to pull out the feeding tube. In this case, the feeding tube is your money. Find out which labels are members/supporters of the RIAA and similar copyright enforcement groups, and don't support them in any way. The RIAA Radar is a great tool to help you with this. Don't buy CDs, don't buy iTunes downloads, don't buy from Amazon, etc. Steal the music you want that's on the major labels. It's easy, and despite the RIAA's scare tactics, it can be done safely - especially if more and more people are doing it. Send letters to those labels, and to the RIAA, explaining very calmly and professionally that you will no longer be supporting their business, because of their bullish scare tactics towards music fans, and their inability to present a forward-thinking digital distribution solution. Tell them you believe their business model is outdated and the days of companies owning artists' music are over. Make it very clear that you will continue to support the artists directly in other ways, and make it VERY clear that your decision has come about as a direct result of the record company's actions and inactions regarding digital music.

2. Support artists directly. If a band you like is stuck on a major label, there are tons of ways you can support them without actually buying their CD. Tell everyone you know about them - start a fansite if you're really passionate. Go to their shows when they're in town, and buy t-shirts and other merchandise. Here's a little secret: Anything a band sells that does not have music on it is outside the reach of the record label, and monetarily supports the artist more than buying a CD ever would. T-shirts, posters, hats, keychains, stickers, etc. Send the band a letter telling them that you're no longer going to be purchasing their music, but you will be listening to it, and you will be spreading the word and supporting them in other ways. Tell them you've made this decision because you're trying to force change within the industry, and you no longer support record labels with RIAA affiliations who own the music of their artists.

If you like bands who are releasing music on open, non-RIAA indie labels, buy their albums! You'll support the band you like, and you'll support hard-working, passionate people at small, forward-thinking music labels. If you like bands who are completely independent and are releasing music on their own, support them as much as possible! Pay for their music, buy their merchandise, tell all your friends about them and help promote them online - prove that a network of passionate fans is the best promotion a band can ask for.

3. Get the message out. Get this message out to as many people as you can - spread the word on your blog or your MySpace, and more importantly, tell your friends at work, or your family members, people who might not be as tuned into the internet as you are. Teach them how to use torrents, show them where to go to get music for free. Show them how to support artists while starving the labels, and who they should and shouldn't be supporting.

4. Get political. The fast-track to ending all this nonsense is changing intellectual property laws. The RIAA lobbies politicians to manipulate copyright laws for their own interests, so voters need to lobby politicians for the peoples' interests. Contact your local representatives and senators. Tell them politely and articulately that you believe copyright laws no longer reflect the interests of the people, and you will not vote for them if they support the interests of the RIAA. Encourage them to draft legislation that helps change the outdated laws and disproportionate penalties the RIAA champions. Contact information for state representatives can be found here, and contact information for senators can be found here. You can email them, but calling on the phone or writing them actual letters is always more effective.


Tonight, with Oink gone, I find myself wondering where I'll go now to discover new music. All the other options - particularly the legal ones - seem depressing by comparison. I wonder how long it will be before everyone can legally experience the type of music nirvana Oink users became accustomed to? I'm not too worried - something even better will rise out of Oink's ashes, and the RIAA will respond with more lawsuits, and the cycle will repeat itself over and over until the industry has finally bled itself to death. And then everything will be able to change, and it will be in the hands of musicians and fans and a new generation of entrepreneurs to decide how the new record business is going to work. Whether you agree with it or not, it's fact. It's inevitable - because the determination of fans to share music is much, much stronger than the determination of corporations to stop it.

Saturday, October 27, 2007

Vista-Expalined

I'm pretty sure this was done by a bunch of windows users who just have hit their frustration point with windows...and I don't blame them!! Enjoy!

Monday, October 22, 2007

Funny Satire About Gay Marriage

Though this list is labeled as American reasons, just substitute your nationality, the point will remain the same; people who oppose gay marriage are to pre-occupied with other people's lives and should maybe concentrate on their own!!!!

Ten Reasons Gay Marriage is Un-American

1. Being gay is not natural. Real Americans always reject unnatural things like eyeglasses, polyester, and air conditioning.

2. Gay marriage will encourage people to be gay, in the same way that hanging around tall people will make you tall.

3. Legalizing gay marriage will open the door to all kinds of crazy behavior. People may even wish to marry their pets because a dog has legal standing and can sign a marriage contract.

4. Straight marriage has been around a long time and hasn't changed at all; women are still property, blacks still can't marry whites, and divorce is still illegal.

5. Straight marriage will be less meaningful if gay marriage were allowed; the sanctity of Britany Spears' 55-hour just-for-fun marriage would be destroyed.

6. Straight marriages are valid because they produce children. Gay couples, infertile couples, and old people shouldn't be allowed to marry because our orphanages aren't full yet, and the world needs more children.

7. Obviously gay parents will raise gay children, since straight parents only raise straight children.

8. Gay marriage is not supported by religion. In a theocracy like ours, the values of one religion are imposed on the entire country. That's why we have only one religion in America.

9. Children can never succeed without a male and a female role model at home. That's why we as a society expressly forbid single parents to raise children.

10. Gay marriage will change the foundation of society; we could never adapt to new social norms. Just like we haven't adapted to cars, the service-sector economy, or longer life spans.

See, We Aren't Bad At All!!

A great article in the Ottawa Citzen. See, a rational dogma free explanation. Original here if you'd rather read it there.

Atheists Aren't A Bad Lot
by Dan Gardner, Ottawa Citizen

Can we be good without God? That's a very old question believers like to ask because, I suspect, the answer is very pleasing to them.

No, they say, we cannot be good without believing in an invisible spirit who, like Santa Claus, knows when we've been bad or good. No invisible spirit, no reward or punishment. No reward or punishment, and moral codes become empty words. Inevitably, atheists must conclude that morality is for suckers -- and so believers are, ipso facto, better people than non-believers.

There was a time when there wasn't more to say on the subject. Almost everyone believed in a god or gods and those few who didn't kept their mouths shut lest others conclude they were the sort of lying, thieving, murderous wretches people inevitably become when they stop genuflecting to invisible spirits.

Alas -- some would say -- faith has eroded over the centuries. Today, substantial numbers of people have decided that until such time as there is proof of the existence of Santa Claus, they will not believe Santa Claus exists. Ditto for god. And they're open about their disbelief.

This has complicated the issue considerably because now everyone knows a few atheists who are not lying, thieving, murderous wretches. They work. They pay taxes. They have kids and don't beat them or sell them for medical experiments. How can this be?

An answer comes from the godless science of evolutionary psychology. "People have gut feelings that give them emphatic moral convictions," writes Harvard cognitive psychologist Steven Pinker, "and they struggle to rationalize the convictions after the fact." Those "gut feelings" are not the result of what we learned in Sunday school. "They arise from the neurobiological and evolutionary design of the organs we call moral emotions."

Physically, humans are pretty pathetic. We're weak and slow and our fangs wouldn't frighten a raccoon. We do, however, have really big brains and, by working together, our ancient ancestors could survive and thrive. But working together required humans to follow certain rules even when doing so was contrary to their short-term interests.

Say you covet your neighbour's cave. You could just smash his skull and move in. But you need your neighbour's help in the mammoth hunt. And besides, if you smash his skull and take his cave, someone else might get the same idea. So in the long run, both your neighbour and you will be better off if everybody agrees it is wrong to smash thy neighbour's skull.

Humans who learned to restrain themselves prospered. Those who didn't vanished. Over time, the internalized rules we call morality became hard-wired instinct.

That instinct remains no matter what we believe about invisible spirits. And its force is not diminished by recognizing its origins in biology: We can no more choose not to feel moral impulses than we can choose not to feel sexual desire.

So it's no surprise to learn that atheists can be perfectly decent people. They are human, after all.

This has led believers to a subtler attack. "People who don't believe in God can be good," writes Reginald Bibby, a theist and University of Lethbridge sociologist. "But people who believe in God are more likely to value being good, enhancing the chances that they will be good."

Mr. Bibby's evidence is a widely reported poll he conducted in which higher percentages of believers than non-believers said values such as kindness, forgiveness, and patience were "very important."

"To the extent that Canadians say goodbye to God," Bibby concluded, "we may find that we pay a significant social price." So the occasional atheist may be a fine fellow but in general they're not as nice as theists and if their numbers rise society will go to hell in a handbasket.

One of the many problems with Bibby's thesis is that his poll asks about qualities that religions typically present as dogmas. Kindness is good. Period. No discussion. It just is. Same for forgiveness and all the others.

So it's no surprise that believers would simply say, yes, these are very important. That's what their dogma says. But an atheist is less likely to approach morality dogmatically. She might feel, for example, that kindness is good but she can imagine circumstances in which it's not appropriate. To reflect that, she may rate it "important" instead of "very important." That wouldn't mean she's a less moral person. It would mean she's more thoughtful.

Worse, Bibby simply assumes a link between what people casually say, what they feel, and how they behave -- an assumption belied by heaps of academic research, not to mention plain old common sense. Televangelists would get boffo scores in Bibby's poll. Does that mean they are models of moral behaviour? Anyone who believes that is invited to send a contribution to the Church of Latter Day Skeptics at the e-mail address below.

To get around this, we have to look at how people behave. As it turns out, the lowest levels of religious belief and weekly church attendance in the world -- possibly the lowest in history -- are found in Northern European countries. These societies are not lacking in basic moral qualities. In fact, they may be the most tolerant, peaceful, compassionate, orderly societies that have ever existed.

If that's the fate of countries that say goodbye to God, it will be a good day when we see the back of that old fraud.

Dan Gardner writes Wednesday, Friday and Saturday.
E-mail: dgardner@thecitizen.canwest.com

Tuesday, September 18, 2007

A New Atheist

This is funny because it's so sad. Notice who uses the swear words;the Christian or the new atheist? And as far as Christmas is concerned, it's a originally a pagan celebration of the winter solstice that was used by Christianity to further their reach. Look it up.

Thankfully my mother took it a lot better than this kid's mom.

Sunday, August 26, 2007

Why Unfortunately, The Blonde Bimbo Stereotype Persists

What happens when you concentrate on your appearance your whole life and neglect your brain. Someone needs to remind her that her looks are going to fade one day.


Tuesday, August 21, 2007

Why Some People Should Never Get Stoned

Check out this idiot cop. Hilarious news story out of Detroit.

Friday, July 27, 2007

Here It Is!!






Here is "My Fast" in all it's digital photo glory. The windows are now tinted, and boy does it look nice. The color is United Gray, and yes, that's 225/40 18" rubber. I'll post some better pics later on once I've had a chance to wash it. Now for the sub upgrade...

Saturday, July 21, 2007

It's Here!!

I picked up my GTI Friday afternoon. This car is a blast to drive! I gotta be careful though as I need to break it in. The pick-up off the line is fantastic, with all 207lbs/ft available @1800rpm. The initial fit and finish is pretty good too. The car feels solid from the doors closing, to road feel. Best part; it has an aux jack for my iPod!! It's in the glove box, but I found a way(without any drilling) to route the wire into my centre console. The factory stereo is decent, but lacks real low end for my taste. I may add a sub/amp to the factory set-up in the future. All in all, a great fun and practical car. I will post pictures soon, as I am getting the windows tinted on Wednesday. "Be one with your Fast"

Tuesday, July 17, 2007

Breaking Up Is Hard To Do...Now On To The Next One!!

My run with my 94 Si is just about over. I got the diagnosis last Friday. I'd been noticing that the car was running hotter than normal lately. My drive clean was also due. Well it turns out my head gasket is going, which means I'm slowly eating coolant. They tried to make it pass but no dice. Best of all it's going to cost me $1400 TO START to fix it(likely more by the time it's all over). The car's worth maybe $2500 with the mileage it has, and even with my mods. Add this repair and I'd be lucky if someone would pay $1500 on the open market, considering they would have to put in another $1500 just to get it on the road legally. Well my buddy at Honda is giving me $1000 for it since he has a 93 hatch Si. He's going to swap his much lower mileage engine and A/C(mine died last year as well) into my car since my car already has the performance exhaust and only one area of rust compared to his car. Being that he works at Honda he can do this for a lot less than I could.

Now for the good news. I'M GETTING A GTI!!!!!! 2007 in United Gray, 5dr w/DSG automatic, 18" wheels and sunroof. I took a manual one out for a test drive and this car is amazing. I'm getting the automatic so the wife can drive it if need be(rarely lol) plus I'm getting old and lazy. Seriously, it's got paddle shifting and a manual mode so I can control the gearing. It's a lease to start, and if it's not a lemon, I'll buy it out at the end. Can't wait to start enjoying "My Fast"!!!

Monday, July 09, 2007

Ain't It The Truth!!!



What men and women really mean!!

Monday, July 02, 2007

The iPhone Is Finally Here...Sort of.

Well the iPhone is finally available, but only for our American friends. We will have to wait here in Canada, rumor says closer to the end of the year through Rogers, since they are the only GSM provider in Canada. While I have no need for a "smartphone"(though my sister's boyfriend's Blackberry Pearl is really cool...he works for RIM)I want one of these. Based on the reviews that are out there, the user experience is phenomenal. The touch screen interface looks like it's light years ahead of everything else. I have to wait now until September 2008 before my Bell Mobility contract is up. (they get no link cause they pissed me off, as you might remember from this post). By that time they might be on the second generation .

Main point is that the iPhone is important for every cell phone user whether you want one or not. This thing has the potential to change the way cell phones are made and the way carriers behave. While I'm admittedly an Apple fanboy, several people have mentioned the reason the phone has gotten so much press and attention is because by and large, most people just tolerate their cell phones, no one really loves them. The iPhone is a phone you can love, like your MP3 player, or a cool laptop. Now I'm counting down until next September!

Wednesday, June 27, 2007

Here, Here!!! Give Her A Raise!!

Finally a journalist who wants to do here job. If they even think of firing her, they will sure hear about!

Saturday, June 23, 2007

Pretty Bad Parody, With One Saving Grace

Hillary Clinton had this parody done up as part of the announcement of what her official campaign song would be. Can you figure out what show and and scene they are parodying? Hint: The shifty stranger was in the original show. Overall it's actually a pretty crappy parody with Hillary and Bill acting really stiff, but for me, that guest appearance makes up a little for it.



Thursday, June 21, 2007

Wednesday, June 13, 2007

Wonder Why Your Service Support Call Ends Up In India?

Cartoon spells it out beautifully. I'd like to think Canada as a population never buys into ANY religious zealotry.

Tuesday, June 12, 2007

The Soprano's Bow Out

Honestly I don't really get all the fuss about the last show. I thought it was great! It wasn't cliched which to me would have sucked. If he was redeemed and "saw the light", that would have been bull, which the show really wasn't about. If he'd been "whacked" it would have been to obvious. Like one of A.J.'s last lines, "remember the good times". The "shock" to black(no fade to black) was stark and obviously effective based on all the complaining on the net. Hell, Phil's getting run over was worth the price of admission alone!

Bravo David Chase, for giving us a show that really pulled no punches with it's characters. If it wasn't for The Soprano's, a show like House would never have existed. Now to back and watch all it over from the beginning. Thank goodness for DVD!!

Saturday, June 09, 2007

Why Cell Phone Service Providers Are Like Political Parties

I've come to the conclusion that cell phone service providers are just like political parties; no matter who you go with, they will screw you in the end! Having dealt with Bell Mobility to today has led me to this conclusion.

A month ago I went into a Bell Mobility(screw them, I'm not linking) store to see when I could possibly upgrade my cell phone since mine is starting to crap out. Now I still have just over a year to go on my 36 month contract. I was told then that as of June 9 I could get $100 off the regular price of any phone. So I walk into the Bell Mobility store to get a newer phone and guess what, now it's only $50 and I'd have to wait until September! Pissed off, and at the insistence of the clerk who actually helpful, I called Bell Mobility directly and let it rip(being mindful and telling the person at the other end, this wasn't directed at them personally, but at the crappy customer relations, as a company they were providing. Hey, I worked a call centre job for a year, so I understand). Bell Mobility being the only cell carrier I have ever used and with for the last 11 years, I asked that something be done, otherwise I'm walking when my term is up, thanks now to number portability. After being on hold for 5 minutes, I was told that as a one time exception, I would get my $100 off the regular price of any phone...AS LONG AS I RENEWED FOR ANOTHER 3 YEARS!!!! So let me see. If I was a new customer, I would get a new phone at a deeply discounted rate for 3 years, but because I'm upgrading for another 3 years as a long time customer, I get $100 of the regular price? KISS MY ASS!!! Hopefully my phone will get by until next year, and then I walking to Rogers. Yeah, I've heard they're crap to, but at least they'll have the iPhone by then hopefully, which I may consider, and my wife and I could have a couple plan. I think it's time, just like in politics, I give someone else a chance to screw me.

Wednesday, June 06, 2007

This Is Quite Sad

Watch the video below. Even though there is laughing from a studio audience watching this, it's quite sad the lack of knowledge by some of these Americans(New Yorkers even to boot!!). I'm sure this was edited to effect, but the fact that they don't know or remember speaks to the fact George W Bush has been able to get away with what he has. If the general public is this ignorant, then they shouldn't complain about their government. Pathetic and sad.

Thursday, May 10, 2007

Is It Wrong To Laugh At This?



Now you may accuse me of not being empathetic, but I'd like to think I reserve my empathy for people who genuinely deserve it, not this spoiled brat who assumes the rules of the real world don't apply to her, like so many celebrities.

Monday, May 07, 2007

American Defence Contractors Are Idiots!!

Check out this article from the Northwest Florida Daily News. Remember those poppy quarters that came out as part of Rememberence Day, and that story about Canada using coins as part of some spy plot? Well here's the story. To quote The Kinks; "Paranoia will destroy ya!!"

Saturday, May 05, 2007

Paris Hilton...

...goes to jail. "That's Hot". Hahahahaha!! It feels so good to hear that this talentless airhead who's only reason for celebrity is HER PARENT'S money, is not above the law. And a womens jail too! Maybe we'll see a new video. We can hope! Then again after seeing the first one, maybe not. She's not that great a lay.

Some Real Perspective On Earth Day!

Call me a cynic, but tell me Lewis Black isn't right on!! Pretty damn funny too!

Monday, April 30, 2007

Practical Use Of The Force!!

I knew Darth Vader had some redeeming qualities!!


Sunday, April 08, 2007

Kermit's Hit Some Hard Times!!

Man this is funny and not for safe for work, so you've been warned!

Sunday, March 25, 2007

10 Things You Probably Didn't Know About Sex

I love #2 since it slams down that whole Catholic "sex just for pro-creation" bull we learned in Catholic school. I mean nobody really believes it but hey, you know the Vatican and change. Also watch out for those bats guys! They might be friendlier than you think! Here's a link to the original site.




1. The typical lovemaking session lasts around 15 minutes: roughly 10 to 12 minutes of foreplay and around 3 to 5 minutes of intercourse.

2. Humans aren't the only horny members of the animal kingdom doing it just for fun. Dolphins and a type of chimpanzee called the bonobo have also been observed engaging in sexual activity when they are not in their natural reproductive cycles.

3. While Viagra has made erectile dysfunction (affecting 10 to 12 percent of men) a household phrase, the opposite problem -- premature ejaculation -- is more common (affecting 24 to 27 percent of men). The U.S. Food and Drug Administration is currently reviewing a drug called dapoxetine as a cure for this problem.

4. Crank up that thermostat... orgasms may be more intense in warmer conditions. The degree of vasocongestion, reddening or darkeing of the skin known as the "sex flush," is both more common in warmer temperatures and an indication of how intense an orgasm may be.

5. If a woman experiences orgasm during sex, she is more likely to become pregnant, since orgasmic spasms in pelvic muscles help move sperm up the vaginal canal to the uterus.

6. Homosexuality is not unique to humans. Many species have been observed engaging in homosexual activity, and in fact male bats have the highest rate of homosexuality of all mammals.

7. On any given day 400,000,000 people around the world -- 1 in 17 of us -- will have sexual intercourse. Broken down further, 4,000 people are having sex at any given time.

8. Sex cures headaches. Endorphins released into our bloodstream when we have sex not only give us pleasure but also act as painkillers. Useful information to whip out the next time your partner uses a headache as a reason to say no.

9. Many elderly can and do have frequent sex. At age 70, 73% of males are still potent, and 30% of women 80 or older have still have sex.

10. 70% of women would rather eat choclate than have sex.

Sources: The Kinsey Report, Wikipedia, American Urology Association

Monday, March 12, 2007

Everything But The Kitchen Sink!!



Watch this video and have a howl. It's a band from Norway called Hurra Torpedo covering Bonnie Tyler's Total Eclipse Of The Heart. Using and old fridge as a bass drum is pure genius!! Love the stove crashing!



P.S. Thanks to Amber & Leo for mentioning this post on Net@Nite (link here or on the side). Now the rest of the TWiT Army can marvel at the genius that is Hurra Torpedo. Also check out my new song "It's Not Enough" at Stage.FM .

Thursday, March 08, 2007

Wow, I've Been Lazy!!!

I haven't posted in ages. Just pure laziness, I'll admit. I've passed my night class mid-term in the mean time and I'm planning to take the next course on internet programming, which scares me since I have no coding experience at all. The closest I've come is cut and pasting with HTML code but not actual manual coding, so who knows. It's going to be two nights a week so it will be coming fast and hard. Hopefully it all sticks.

I also picked up a external hard drive finally to back up my computer. Considering how much music and pictures I have with out a proper back up, I was playing with fire. Nowadays, your gambling if you don't have a second copy of your important computer data, because it's not a matter of if your hard drive fails, but when. A Western Digital 500GB My Book with Firewire(very important to me since most now just have USB) and USB for $250 at Costco is a steal, so no excuse to be safe than sorry.

I'll try be more regular in my posting. To all you married men I'll leave you this...


Thankfully I don't need a subscription...I think. Cheers!

Wednesday, February 14, 2007

Valentine's Day 2007






What a day! We got pounded with a snow storm as you can see. One hell of a workout though shoveling it all. The snow bank I built as I shoveled are now 5 feet high(as tall as Anna!)! Great trenches for snowball fights!



Well my beautiful wife got me an iPod shuffle to add to my iPod collection(at this point that's what it is! If women can have multiple purses and shoes to suit the occasion and purpose, why can't I have that with iPods?). She even had it engraved as you can see. Yes, I'm a very lucky man. I got her a lovely ring with her birthstone(topaz) but it was half a size to big so I'm exchanging it but now she would like another style(she picked this one out initially but now found another one she likes better). Well now it's ordered and she's keeping this one...she thinks...yeah...maybe... She's very decisive isn't she! And she wonders why I find it difficult to shop for her!?! Good thing she's sexy and smart!

To end off, here's a funny video I found of Bill Gates and Steve Jobs if they were to duke it out. "iPhone bitch!!"
Enjoy!

Tuesday, February 06, 2007

The Global Warming Hoax

I've always been a skeptic of the global warming environmental movement. It's not that we shouldn't conserve or find better energy alternatives, but "the sky is gonna fall and we're causing it" mentality is a little suspect. This article here by a climatologist backs up my suspicions that it's more a political movement rather than a rational response to our environment. It's pretty ballsy nowadays to go against the "conventional wisdom" that humans are causing all our environmental woes. Anyway it's an interesting read and may open your eyes to the other side of the argument. Al Gore oversimplifies as far as I'm concerned.

Saturday, February 03, 2007

These Pictures Say It All!!




These maybe possibly fake, but as far as I'm concerned, it damn accurate!

Bill, Now Your Just Making Shit Up!!!

I believe in healthy competition in the market place. That's how you and I, the consumer win and end up getting the best product for the best price. So it's with that in mind I'm going to talk about Bill Gates and this interview he had with Newsweek about the release of Windows Vista. Now I'm not going to knock Vista completely. It looks real slick and has a lot of cool features and functionality. Having said that, here's a reality check about some of his claims in the article.

He claims Vista is the first operating system to have parental controls. First for Microsoft but not the first OS, since Apple's OS X has had parental controls for a couple years now. He then goes on to claim that everyday,EVERYDAY, there is a new exploit to completely
take over OS X. HUH?? If there is, no one in the tech community on BOTH sides has found it. And the ONE that was, required the user to accept something and allow it to happen(you know, clicking on things your not sure about). He then dares anyone to find that sort of exploit for Windows. Where has he been, under a rock? If you leave a Windows system on a network unprotected, without the user doing A SINGLE THING, that computer can be completely taken over as a bot computer(ie. a computer that will act like a zombie to forward spam and mass blitz websites).

Like I said competition is a good thing, but outright lying and mis-labeling your competition is just sad and pathetic. What ya scared of Bill, that people may be finally waking up to the fact that for the average home user, a Mac makes more sense. Windows machine serve their purpose, no doubt, but like I tell anyone who asks, get a Mac for home if you want a computer to manage your music, pictures and home movies. You will pay a little more than a PC but you will get a hell of a lot more useful applications right out of the box and a more pleasant user experience.

Saturday, January 27, 2007

Starting The Basement Finally & A Very Accurate Comic

Well I finally have gotten started on finishing our basement, with a little, I mean a lot of help from my best friend Joe. It's insulated now and we have the sub floor material, so it's a start. Don't really have a time plan to finish everything, but I figure when ever Joe is available to help me(because I really have no clue what I'm doing) is when the next chunk will get done.

Check out this comic.

Says it all as far as I'm concerned!!

Saturday, January 06, 2007

Sorry Honda, But Torque Wins! Also Cool Song/Video

Last night I finally got to drive the new VW GTI. If you haven't heard about this car it is a powerhouse hot compact. Turbocharged 2.0L 4 cylinder 200hp, 207 lbs/ft of torque. The thing is amazing! I love Honda but I think I've found my next car. They offer it in 4 door, plus they offer it with a DSG 6spd automatic that is probably the best transmission in production right now. Yes a die hard Honda man is now planning on buying a VW, but man if you drive it you'll understand! See what I mean below.



Also check this really cool song/video from Badly Drawn Boy. I discovered it last night while putting together an IKEA sideboard. I had Bravo in the background and they played this video. I heard it and it caught my ear. The video is something that most are not today, unique. Enjoy!



Tuesday, January 02, 2007

Music Page Update

Just to update everyone that my Audiri.com page has changed. The site has changed it's name to Stage.FM which should be easier to remember and spell. So my url there is now stage.fm/moniz. If you go there using the old url, it will redirect for the time being. The link on the side here has been renamed and adjusted. Adjust your bookmarks accordingly. Cheers!

Monday, January 01, 2007

Happy New Year!!

Well 2007 has arrived and 2006 has been regulated to the dust bin. Thankfully. It was not a good year overall with the death of my father in law, but we, as many others who have lost loved ones must and will persevere.

We rang in the New Year by going out to dinner with both our mothers (great steak!) and then watching the Beverly Hills Cop Marathon on Bravo. Man are we a bunch of party animals or what! My mother in law and my wife were both half asleep when the big moment arrived. Personally now that I'm a little older I prefer my New Years celebrations to be more low key. It's just a number anyway. Do you get excited when the odometer in your car rolls over? I know I don't so what's another year? Hope as always the new year is better than the last.